In early 19th-century Cornwall, young Mary Yellan travels to live with her aunt and uncle at the remote Jamaica Inn, where she discovers the inn is a front for a violent gang of wreckers who lure ships to their doom along the coast. As she becomes entangled in their crimes, Mary must fight to survive and uncover the truth behind the terror that haunts the moors.
In early 19th-century Cornwall, young Mary Yellan travels to live with her aunt and uncle at the remote Jamaica Inn, where she discovers the inn is a front for a violent gang of wreckers who lure ships to their doom along the coast. As she becomes entangled in their crimes, Mary must fight to survive and uncover the truth behind the terror that haunts the moors.
Sign in to access Netflix, FPT Play and more.
Daphne du Maurier and Alfred Hitchcock, both of Rebecca fame, what could go wrong? Well, everything really. Dodgy cinematography, even for the time. Charles Laughton hamming it like Matt Lucas. Slow paced. Give this one a hard pass.
Charles Laughton excels as local grandee "Sir Humphrey" in this super adaptation of Daphné du Maurier's book. The bleak photography and huge great waves help generate a sense of the menace of the evil Cornish wreckers. They are led by Leslie Banks's malevolent "Joss" who is just as cruel to his wife "Patience" (Marie Ney) as he is to any survivors after his men seek to drive ships onto the rocks and make off with the contraband - murdering as they go. His niece "Mary" (Maureen O'Hara) and und...
Charles Laughton excels as local grandee "Sir Humphrey" in this super adaptation of Daphné du Maurier's book. The bleak photography and huge great waves help generate a sense of the menace of the evil Cornish wreckers. They are led by Leslie Banks's malevolent "Joss" who is just as cruel to his wife "Patience" (Marie Ney) as he is to any survivors after his men seek to drive ships onto the rocks and make off with the contraband - murdering as they go. His niece "Mary" (Maureen O'Hara) and und...
Daphne du Maurier and Alfred Hitchcock, both of Rebecca fame, what could go wrong? Well, everything really. Dodgy cinematography, even for the time. Charles Laughton hamming it like Matt Lucas. Slow paced. Give this one a hard pass.